What you see here is not so much a “drawing” as it is a flow of sensation.

Tatiana Wolska transforms entire spaces into living, breathing organisms using the simplest of elements: the line. For this Biennale, she spent ten days on-site in Mokpo, allowing the light, air, and texture of the walls to guide her hand. The lines she drew—crawling across walls, ceilings, and floors—twist, expand, and grow organically, existing without fixed forms or meanings. They become sensations in motion.

Her lines may evoke dissected organs or the invisible pulse of a hidden creature. Beyond drawing, Wolska also constructs sculptures from discarded plastics and old mattresses—materials that prioritize texture and sensation over figurative form.

Wolska believes art need not be a completed image. Her work visualizes the moment before becoming—states of fluidity, uncertainty, and transformation. Within this organic flow, the viewer is not simply a spectator, but a sensing, embodied presence.

Aligned with the Biennale’s theme Neighbors of Civilization, Wolska’s work embraces the space in-between:

between center and periphery,
between finished and unfinished,
between boundary and resonance.

It invites us to experience art not through interpretation,
but through feeling.